"Auschwitz. Not long ago. Not far away"

"I had no idea where we were. It was unreal and beyond my imagination."

"After being tattooed [133628] and inducted as a prisoner and losing my identity, I thought this was hell on Earth, from which I had little or no hope of getting out. I was in total despair."

"Only my father's presence gave me some hope."

Nate Leipciger, 96, from Sosnowiec, Poland

 

"[The artifacts, augmented by survivors' recorded testimonies], are the traces of genocide, the remnants of a murdered people, and the material evidence of crimes against humanity."

"They are what remain despite the perpetrators' attempts to conceal their crimes."

Paul Salmon, curator, exhibit catalogue, "Auschwitz. Not long ago. Not far away" 

 

"It's not easy to go to a museum to learn about the particular story of Auschwitz, but sometimes the things that are more difficult are the ones that are more necessary."

"We knocked on many doors. I never got no for an answer."

 Luis Ferreiro, director, Musealia, Spain

 

"[The Royal Ontario Museum's mission is] to help people understand the past, make sense of the present, and come together to shape a shared future."

"[With the Auschwitz exhibit], we could not imagine an exhibition that more materially fulfilled our mission."

"[There is a deliberate attempt to avoid] gratuitous depictions of violence." 

Josh Basseches, museum director and CEO, ROM

Jews from Lubny, Ukraine, shortly before their murder by an Einsatzgruppe, 1941. This photo is one of the items in the exhibit Auschwitz: Not long ago. Not far away. Photo by Musealia

In 2008, Luis Ferreiro, director of his family's Spanish company Musealia, in mourning after the death of his 26-year-old bother, read psychotherapist and philosopher Viktor Frankl's book, Man's Search for Meaning. It gave him comfort. Viktor Frankl was a survivor of Auschwitz. It was there that his pregnant wife, parents and his brother perished in Nazi Germany's campaign to extinguish all Jewish life in Europe. The book's story of survival and finding purpose in life despite the worst possible circumstances, resonated with Mr. Ferreiro.

Although not a Jew, he took inspiration from the writer's message and decided to pursue "a moral necessity to do something. It was always about Auschwitz for me". He collaborated with the Auschwitz Museum and spent time tracking down other potential involvement in a long but rewarding process to showcase human survival in the most obscene, inhumane period of modern human history. His decision to dedicate himself to this project gave purpose to his own life, through his grief.

 

The end product of his research and organizing of an exhibit to feature the Auschwitz death camp during the years of the Holocaust, in the Second World War, opened in 2017 in Madrid. Since then the exhibit has toured in New York, Kansas City the Ronald Reagan Library in Simi Valley, Malmo, Sweden, and Boston. Between 1.4 and 2 million people have viewed the exhibit, according to Mr. Ferreiro's estimation. During his search for collaborators for his project, Mr. Ferreiro discovered Robert Jan van Pelt, professor at the University of Waterloo, among the world's leading experts on Auschwitz, who became the exhibit's chief curator.

At Birkenau, the largest of the nearly fifty sub-camps collectively known as Auschwitz, 96-year-old Toronto resident, Nate Leipciger, Holocaust survivor, who has over the years dedicated himself to educating the public about the Holocaust, had lost his mother and sister, murdered along with eight other members of his extended family. Their lives were taken in the gas chambers of Birkenau.

Of the Nazi death camps scattered throughout Europe, Auschwitz was the largest, most notorious and deadliest. At liberation, photographs of skeletal inmates in striped uniforms and dazed eyes, many too weak to rise from their serried bunks, were  seen worldwide as examples of the Nazi atrocities perpetrated against Europe's Jews in the slaughter of six million of Europe's Jewish communities. 

Details like crammed boxcars, crematoria, belching chimneys of human ash, barbed wire enclosures, a gate whose legend read "Arbeit Macht Frei" have become symbolic of the Holocaust. 1.3 million people were deported to Auschwitz in the four years of 1940 to 1944; 1.1 million were Jews. 900,000 were gassed soon after their arrival in packed rail boxcars. Others were used for slave labour until they died of exhaustion and malnutrition. Some 75,000 non-Jewish Poles, 21,000 Roma, 14,000 Soviet prisoners of war and up to 15,000 of other categories including criminals, homosexuals, Jehovah's Witnesses and "undesirables", were also murdered there.

On January 10, preceding the 80th anniversary of the camp's liberation on January 27 (annual International Holocaust Remembrance Day), the exhibit will open at the Royal Ontario Museum in Toronto. Over 500 original artifacts, along with hundreds of photographs, charts, drawings, correspondence and diagrams will be shown at the exhibit, most of them on loan from the Auschwitz-Birkenau Memorial and Museum, and from over 20 other institutions.

Among many other items are receptacles that once contained Zyklon B pellets. Belongings of newly-arrived prisoners of the time, are heaped within a large glass case, comprised of everyday common personal items such as shaving material, perfume bottles, eyeglasses, hair brushes, bowls and buttons. Personal property items of the victims were in such abundance they were stored within 30 barracks, referred to as "Kanada", a country imagined to be brimful of wealth.

 

During the Holocaust an estimated 1.5 million Jewish children were murdered or died of deprivation. At a time of steeply rising antisemitism all over the world, a time when knowledge of the Holocaust is fading, the exhibit strives to reawaken a disinterested world's memory and conscience. The exhibit will be on display until September 1. The ROM is its only Canadian destination. The museum has suspended an admission charge for Grades 6 - 12 students in organized school visits.